rife oral lesion musical scale

As far as the binaurals go, I wasn't as focused on them - they pretty much hover between 8 HZ to 14 HZ [awake, but relatively relaxed].

I doubt this will cure cankersores - you prolly need an EM field for it to work rather than a sound. Although, if anybody has any oral lesions disappear after listening to this monstrosity, please let me know.

All the math is down below, if anybody wants to decipher it.

Mike/Papercut Suicide

http://www.lunarsight.com

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VALUES HALVED IN THIS PRESET TO PUT THEM IN AN "EASIER ON THE

EARS" SOUND RANGE -

2720 to 2489 - 3/4tone, roughly [for melody not harmony]

2720 to 2008 - [sharp] Perfect Fourth

2720 to 1800 - [slightly sharp] Perfect Fifth

2720 to 1600 - [slightly sharp] Major Sixth

2720 to 1550 - Harmonic Seventh [the ratio is about 1.75]

2720 to 880 - Augmented Fifth, one octave up [the ratio is 1.5454545454 times two]

2720 to 802 - Sharpened Major Sixth, one octave up.

2720 to 787 - Augmented Sixth/Harmonic Seventh [one octave up][the ratio is a little lower than 1.75]

2489 to 2008 - Neutral Third

2489 to 1800 - Augmented Fourth [tri-tone]

2489 to 1600 - Augmented Fifth [almost a minor sixth, but not quite]

2489 to 1550 - [slightly sharp] Minor Sixth

2489 to 880 - Augmented Fourth [one octave up]

2489 to 802 - Augmented Fifth, one octave up.

2489 to 787 - Minor Sixth, one octave up [slightly flat]

2008 to 1800 - flattened wholetone

2008 to 1600 - sharpened major third

2008 to 1550 - Diminished Fourth

2008 to 880 - Augmented Ninth

2008 to 802 - Just Major Third (one octave up) [even closer to the "just" 5/4 ratio than the Major Third of western music]

2008 to 787 - Augmented Third, one octave up [sharper than major third]

1800 to 1600 - Just Wholetone [1.125 ratio on the nose]

1800 to 1550 - Diminished Minor Third

1800 to 880 - sharpened Octave

1800 to 802 - Flat Major Ninth

1800 to 787 - [sharp] Major Ninth

1600 to 1550 - Quartertone

1600 to 880 - Sharpened Minor Seventh

1600 to 802 - Octave [a little flat]

1600 to 787 - Octave [a little sharp]

1550 to 880 - Harmonic Seventh [a little sharp]

1550 to 802 - Augmented Seventh [higher than Major Seventh]

1550 to 787 - Diminished Octave [1.93 ratio to a 2.00 "true" octave]

880 to 802 - 3/4 tone.

880 to 787 - [slightly, slightly, slightly flat] wholetone

802 to 787 - It's some sort of "comma" - playing the two together would create an enharmonic "flanger" sort of tone.

Submitted: 21-Oct-2001 by
Download preset: ROLMS.bwg

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User comments

01-Dec-2001, Dutch2000

Somebody has way too much time on there hands. Impressive though.

21-May-2002, another one

I totaly agree with DUTCH2000 first statement

Well, if you check out his website, Papercut Suicide, you would see his "Sonic Alchemy Journal", with a new one at least every month, normally more. And look at his huge wave frequency list that he made. That took a LOT of time. (If you have noticed this exact list anywhere else, just know this. They copied off of his site, without his permission, and are currently using it as their own. Although there are some that do credit him by having his copyright on their page.)

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